Disclaimer: This is an independently run Fan Blog complimenting Marie Crichton's Country Show (formerly BBC Radio Shropshire; Saturday 18:00-20:00 / Monday 20:00-22:00) currently broadcasting live on CMR Nashville (Sunday 20:00-22:00/ Repeat Monday 08:00-10:00). It is not the work of its lovely presenter. Marie is not the Editor, she provides the fantastic music and Country Routes News Blog provides additional information to enhance her hard work and assist her loyal listeners. Thank you
The Bakersfield Californian reported that Red Simpson,
renowned songwriter, singer and peer to the likes of Buck Owens and Merle
Haggard, has passed away at the age of 81.
Bob Dylan called him “the forgotten man of the Bakersfield Sound.”
Paying his respects Merle Haggardwrote: “He
played a huge part in the Bakersfield sound and was a dear friend of mine for
over 50 years. One of the original musicians on "okie from Muskogee"
RIP Red Simpson.
Simpson is reported to have passed away Friday
afternoon (Jan 8, 2016) at a hospital in Bakersfield. Family friend Gene Thome told The Bakersfield
Californian, "he seemed to be doing
better. I was planning to go by and see him tonight."
Simpson was born
Joseph "Red" Simpson in Higley, Arizona on March 6, 1934, Simpson was
just following the path his brother Buster had laid out for him. Buster Simpson saw music as a way out
of Little Okie, the village of shacks and dirt-floor tents off Bakersfield’s
Cottonwood Road where cotton- and potato-picking families consoled one another
in their mutual poverty.
He wrote hundreds of songs, many recorded by Merle
Haggard and Buck Owens, and became a star in his own right. But later in life,
Red Simpson would also be known for owning Monday nights at Trout’s nightclub
in Oildale and for being the kind of guy you could strike up a conversation
with or bum some beer money from in a pinch.
Considered one of the last living icons of the music
that came to be known as the Bakersfield
Sound.
Simpson had suffered a heart attack Dec.18
after returning from a concert tour of the Pacific Northwest. Many friends and
well-wishers had hoped he was on the mend and might even return to his familiar
Monday night gig.
A short video posted on Facebook showed Red with his
son, David, sitting on a sofa, playing some guitar and enjoying life. “I was outside,” said David Simpson, “when I heard him hollering for help from the
bedroom.”
An ambulance was called and the son performed CPR on
his dad until help arrived. But this time, Red could not be saved. By Friday evening, word was spreading fast on social
media.
Simpson had a long run as Capitol Records’ entry into country music’s truck-driving subgenre of the 1960s, recording songs such as “Roll, Truck, Roll” and “(Hello) I’m a Truck.”
He never drove a commercial big-rig, however; he was
merely playing a role developed by Ken Nelson, Capitol’s legendary
coproducer/executive.
Performer and songwriter Buddy Mize met Simpson in the
1950s, when the Bakersfield Sound was being forged in barrooms and dance halls.
“He was part of
the gold that people mined out of California,” Mize said from his Nashville
home Friday.
Mize, whose older brother is Bakersfield Sound
luminary Billy Mize, thought of Simpson as a brother as well. The two
reconnected in the last year or so when Simpson was in Nashville to perform at
the Country Music Hall of Fame and Museum, which put together a stunning tribute
to the Bakersfield Sound that concluded its two-year run in 2013.
“We had such
great times just laughing when we were in each other’s presence,” Mize shared.
“Because things were funny when Red was
around.” Music writer and historian Scott B. Bomar worked with Simpson on "Hello,
I’m Red Simpson" a 2012 career-spanning retrospective that featured five
CDs and a 108-page hardcover book, the definitive account of the artist's life
and music.
During the Korean War, Red was stationed on the USS
Repose where he formed a country group -- the Repose Ramblers. Upon his
return to California, Red played numerous clubs including the Blackboard on
weekends. Red started studying piano, getting tips from Buck Owens, George
French, and Lawrence Williams, and in 1956, when Williams left Fuzzy Owen’s
band at the Clover Club, Owen offered Simpson the job. After working for next
to nothing for so long, Simpson was finally playing for what the boys called “whiskey money.”
Over the next few years, Simpson cut singles on three
small labels: Lewis Talley’s Tally
Records and Leon Hart’s Millie
Records (both based in Bakersfield), and Los Angeles-based Lute Records.
Then, in 1966, at the ripe old age of 32, he caught
his big break. Truck-driving songs were all the rage on country music radio,
with the likes of Red Sovine, Dick Curless, Dave Dudley, Jerry Reed, and Kay
Adams
having established themselves as truck-stop staples.
Ken Nelson wanted a slice of that pie for Capitol, and he chose Simpson to play
the part.
It was a good choice: ROLL, TRUCK, ROLL (US Cat# ST 2468; #7 Top Country albums; title
cut #38 Hot Country Songs; 1966) proved Simpson indeed had an aptitude for truck-drivin’ songs.
He cut three more albums for Capitol in the next two
years MAN BEHIND THE BADGE (#34 Top
Country Albums; 1966), TRUCK DRIVIN’
FOOL (1967, did not chart), and A
BAKERSFIELD DOZEN (1967; didn't chart) and was given the opportunity to
tour the country.
In 1966, he opened shows for Owens, including Buck’s
March appearance at Carnegie Hall. He appeared on a half-dozen installments of
the syndicated TV show “Buck Owens Ranch Show.” Later that year, he toured U.S.
military bases in Germany and France, and in 1967 he went on tour as an opener
for Haggard.
In 1971, he signed with Gene Breeden’s label, Portland
Records and recorded “(Hello) I’m a
Truck.” “Hello, I’m a what?” (Capitol; writer Robert Stanton) Red responded
when Breeden first told him the name of the song he wanted Simpson to record.
The song reached No.4 in December
1971 and spent 17 weeks on the reaching No. 4 on Billboard Hot Country Singles
chart and spent 17 weeks on the chart and hit No.1 on radio playlists
around the country.
Listen to Red Simpson's 1966 album Roll, Truck, Roll >> YouTube
Simpson’s final entry on the charts, the rather bizarre
and obscure “The Flying Saucer Man and
the Truck Driver,” on Key Records, sputtered to No. 99 back in 1979.
He toured for three more years and then quit the road.
Simpson was honored
in Nashville in March 2012 when he was asked to headline the grand opening
of the Country Music Hall of Fame and Museum’s two-year exhibition on the
Bakersfield Sound. He returned several times during the exhibit’s two-year run
and basked in the warm, loving attention with grace and good humour.
A 10 track compilation HELLO I'M A TRUCK was released (27 Sept. 2005: Amazon UK | Amazon.com)
Hello, I'm Red Simpson a 5 × CD, Boxset Compilation was released by Bear Family Records (BCD 16944 | Amazon UK| Amazon.com) in
2012. This set includes all of Red Simpson's recordings from 1957 until the
year he retired from touring, 1984. All the songs on his seven Capitol LPs are
here, together with his singles for Capitol, Portland, and independent labels.
The LP-sized boxed set includes a 108-page hardcover book, 165 tracks (Playing
time: 415:49)
Note: Red Simpson never drove a truck but he sang
plenty of songs about big rigs!
No less than 27 of the 165 songs on Bear Family's 2012
box set - a five-disc set containing all of his Capitol recordings, along with
his early singles and a wisely curated selection of latter-day recordings
stretching into the early '80s plus several unreleased acoustic songwriter
demos -- contain the word "truck" in their titles, and that count
excludes tunes with "Wheels" or "Road" in the titles, or
other truck-driving classics like "Give Me Forty Acres" and
"Nitro Express...(Review 4.5 STARS)
“I'm Not Me Without You Anymore” (Red Simpson)
recorded by Ferlin Husky (1965;
album True, True Lovin')
“Close Up the Honky Tonks” (Red Simpson) recorded by Buck Owens (1964 album Together Again)
and Dwight Yoakam (2007 album Dwight Sings Buck)
“Gonna Have Love” (Buck Owens / Red Simpson) recorded
by Buck Owens (1965 album Before You
Go)
“Bullshippers” (Red Simpson) recorded by Dave Dudley
(1972 album The Original Traveling Man)
“You Don't Have Very Far to Go” (Merle Haggard / Red
Simpson) recorded by Rosanne Cash
(1981 album Seven Year Ache) and The
Grascals (2006 Long List of Heartaches)
“Close Up the Honky Tonks” (Red Simpson) recorded by Dawn Sears (album Nothin' But Good)
You Don't Have Very Far to Go" (writers Merle
Haggard / Red Simpson) recorded by Suzy
Bogguss (2014 album Lucky)
A show in honor of Red Simpson was set to take place Saturday January 9th at the Rustic Rail (147 E Norris Rd, Bakersfield, CA 93308) with David Simpson performing. Red's brand new album SODA POPS AND SATURDAYS was to be available with money going to support the family at this time.
Portions of this text were excerpted from “The
Bakersfield Sound: How a Generation of Displaced Okies
Revolutionized American Music” by Californian executive editor Robert E. Price.
